A few days ago my Chessable course on the Anti-Sicilians was published.

After working on the Najdorf it was only natural to round up the whole repertoire for Black against 1 e4 with the coverage of “everything else.” Now that job is done.

While I did intend the Anti-Sicilians to be suited for the Najdorf player, some of them can be used by other Sicilian players. In fact, if you play 2…d6 then the course is 100% suitable, while in the case of 2…e6 (except for Scheveningen players, who fall into the 100% suitability) or 2…Nc6 then only part of it is and this is basically all White’s 2nd move alternatives (the Morra Gambit, Closed Sicilian, the Grand Prix, the Alapin to name the more important ones).

The main difficulty in creating the repertoire were the move orders. The Najdorf players are particularly susceptible to these. I guess that’s the price to pay for playing one of the most popular Sicilians!

To illustrate my point, after 2 Nc3 the Najdorf player is already at a crossroad. If he wants to preserve the option to transpose to a Najdorf (but this option depends only on White!) he must play 2..d6 or 2…a6. The former is the traditional Najdorf move, but it is exactly here that White has come up with a plethora of interesting and testing options. Necessity is the mother of all invention and the necessity here being a desperate need for something to play against the Najdorf!

Everybody suffers when having to meet the Najdorf, even the World Champion. And it was him who came up with one of the more original ideas – after 1 e4 c5 2 Nc3 d6 he came up with 3 d4 cd 4 Qd4 Nc6 5 Qd2, followed by b3, Bb2 and 0-0-0. This line is still very much alive with no clear consensus of what Black’s best variation against it is.

Other tricky lines for Black are the Grand Prix Attack (currently with Bb5 instead of Bc4), the transposition to a Dragon via the Grand Prix (1 e4 c5 2 Nc3 d6 3 f4 Nc6 4 Nf3 g6 5 d4), the move-orders with Nc3, Nge2, g3 and then d4 when Black plays …g6, thus transposing to a Fianchetto Dragon and a few more.

Mind you, all of them are perfectly fine for Black from a theoretical perspective, which is only natural. However, when thinking about constructing a repetoire and wanting to make it easier for the students by eliminating tricky move-orders, too much theory and open Sicilians they may not be too happy with, then the choice is limited.

All of the above explains why I chose 2..Nc6 as the move to play against 2 Nc3. I was “helped” by the World Champion as in the past period he demonstrated quite a few ideas in the line 3 Nf3 e5. This further led me to create a repertoire that completely prevents a transposition to an open Sicilian, which should come as a sort of relief.

Everything else in the course was much easier to cover. The main theoretical alternative to the open Sicilian is the Moscow Variation (3 Bb5+) and here while all three Black moves are perfectly viable, I went for 3…Bd7, as the easiest one to play.

As usual with Chessable, the course comes with a free video where I give an overview of the whole repertoire in the duration of 1 hour. The total course has almost 10 hours of video. That also includes the chapter on Model Games where I analyse games that are important for the understanding of the material.

Generally I’m quite happy with the work I did on the Anti-Sicilians. It also helped me refresh my own repertoire and take a closer look at some lines that I have neglected for years (a good example is the Morra Gambit, where I came up with a very exciting idea for Black!). I like analysing openings and I like to explore them, so this type of work is something I always look forward to! I can only hope that it helps the others as it had helped me.

Break Down Anti-Sicilians is out on Chessable

The Najdorf. The ultimate desire for many, a common-place occurrence for others. I have a feeling that when it comes to the Najdorf there are two possible feelings about it: you either love it or you’re petrified of it.

I have always fallen into the first category. The reason is that I’ve played it since I was a kid and the main reason for the fear of the second category, the mind-boggling amount of theory, didn’t bother me because I learned it as I was growing up and that knowledge built itself inside me.

I have been approached way too many times with lamentations of “I would like to play the Najdorf, but there’s so much theory, I cannot study all that.” And I understood them, starting to learn the Najdorf from scratch is not a task for the faint-hearted.

However. When I stopped to think a little about it, I realised that a lot in the Najdorf is based on good understanding. And that understanding mostly revolves around the d5-square and what should be done about it. When I pushed the concept a bit further I realised that with the help of modern theory there is a chance for not-too-theoretical repertoire to be created.

The result of these ruminations is my Najdorf repertoire for Chessable.

My main goal with this repertoire was to provide the student with a feeling for the Najdorf positions. Once you have that feeling then even a surprise in the opening will not be enough to disturb you or prevent you from finding a good antidote. I provided ample textual explanations of the critical positions and the chapters with model games and typical strategic and tactical motifs were aimed exactly at this.

The second goal was of course the theoretical knowledge. The Najdorf is theoretical, there is no going around it. I tried to present the basic theoretical knowledge necessary for the student to be able to play the Najdorf. I concentrated on the modern lines, the ones that are most popular today, with enough information on the traditional variations that are less trendy nowadays.

The repertoire consists of the following chapters: Introduction, The Positional 6 Be2, The Sozin 6 Bc4, The English Attack 6 Be3, The Aggressive 6 Bg5, The 6 f4 Line, The Fianchetto 6 g3, The Modern 6 h3, Odds and Ends and also the afore-mentioned chapters Model Games and Strategy and Tactics. The theoretically heaviest ones (meaning with the most forcing lines requiring memorisation) are The Sozin and the Aggressive 6 Bg5.

Wherever possible (or practical) I proposed the typical Najdorf move 6…e5 as a reply to White’s 6th move attempts. Theoretically speaking Black is in fantastic shape in these lines so there was no reason not to take advantage of it!

I think that the main advantage of this repertoire, and this aspect took a lot of hard work, was that I succeeded to narrow down the theory to a manageable level. A lot of secondary variations were explained in textual terms rather than lines – from my experience of working with students I discovered that they remember better when things are described with words rather than with moves.

The books I used to learn the Najdorf from, The Sicilian Defence by Lepeshkin (in Russian), Najdorf for the Tournament Player, The Complete Najdorf: Modern Lines and The Complete Najdorf: 6 Bg5, all by John Nunn, were hefty tomes. I never found them difficult and always enjoyed working with them, but to be honest, had I had the resources available now, I would have definitely chosen the much more efficient ways provided by modern technology.

My effort to provide a concise yet profound Najdorf repertoire and to give a chance to everybody to try this wonderful opening is now before you to judge. I can only hope I did a good job.

The Najdorf Sicilian: Simplified is out on Chessable

One of the best things that happened with the rise of chess engines is that it is almost impossible to find a bad book on openings nowadays.

Every author knows all too well that his lines will be checked in great detail by his readers, who often will be equipped with better hardware than himself. This means that the level of quality of today’s books has risen as a result of the authors’ conscientiousness.

With the World Championship match under way it is no surprise that the repertoire of both participants is under the microscope of the chess public. The Challenger’s success with the Petroff Defence has been beyond all expectations, so it is only logical to try to emulate his choices.

IM Christof Sielecki has done just that. In his latest work for Chessable, he devised a repertoire based on Caruana’s choices facing 1 e4.

It is very interesting for me to see what other people think about lines where I have also done some work. Since I have also prepared and played 1…e5 (and the Petroff, for that matter!) I was curious to see what Christof had to offer in the repertore.

The first thing I discovered was a move I didn’t know existed. This was already a good sign – after all if a GM doesn’t know of an existence of a move, then certainly less experienced opposition has even less chances of knowing it! The discovery lay in the Central Gambit: after 1 e4 e5 2 d4 ed 3 c3, I have always considered the move 3…d5 to be the easiest and best way to deal with the gambit. That is what I had prepared, analysed and played. Christof acknowledges the strength of the move, but suggests another one: 3…Qe7 and goes on to prove that in fact Black is better in all the lines.

That was already an important discovery early on!

The second thing that struck me was the author’s honesty. In the King’s Gambit, after 1 e4 e5 2 f4 ef 3 Bc4 he gives the line 3…Qh4 4 Kf1 d6 and readily admits that he only adjusted some analysis already given by other authors – in this case GM Jan Gustafsson (in his DVD) and Nikolaos Ntirlis (in his book). He backs his decision with the logic that if something is good you simply recommend it, even if you haven’t come up with it yourself. No need to reinvent the wheel.

He did the same for the line with 3 Nf3, recommending the Schallopp Defence 3…Nf6, again basing his choice on analysis by other authors. All this suggests that Christof is up to date with the latest theoretical developments and published material and he was able to filter and adapt them best for his students’ needs.

One of the good things about playing the Petroff Defence is that it is practical. You get your opening only after 2 moves, which means that White’s deviations are only on move 2. Against all these deviations, as we’ve seen with the King’s and Central Gambit, the suggested lines are well-covered and explained. I liked the fact that against the Vienna after 1 e4 e5 2 Nc3 Nf6 3 g3 he recommended the line with 3…d5, leading to easy development for Black.

Since the repertoire is based on Caruana’s games, against the Bishop’s Opening the author follows the game Carlsen-Caruana from this year’s Norway Chess tournament. He offers an interesting improvement over Caruana’s play based on a correspondence game from 2016. I had a brief look and it appears that Black is indeed OK there.

I found it somewhat surprising that the choice after 1 e4 e5 2 Nf3 Nf6 3 Nc3 was the move 3…Nc6, giving White the option of the Four Knights and the Scotch. I have always considered the move 3…Bb4 to be the more practical choice as it cuts down on the theory you are required to know after the above-mentioned openings.

Still, the suggested line after the Four Knights is the move 4…Bc5 (a bit more dynamic than the traditional 4…Bb4 or the simplifying 4…Nd4) while in the Scotch the author recommends the latest wrinkle after 1 e4 e4 2 Nf3 Nf6 3 Nc3 Nc6 4 d4 ed 5 Nd4 Bb4 6 Nc6 bc 7 Bd3 0-0 8 0-0 d5 9 ed Bg4!?, a move very recently employed by a lot of top players.

The core of the repertoire is of course the Petroff, and here he follows the reliable paths. It was interesting that against 3 d4 Ne4 4 de d5 5 Nbd2 he prefers to follow Caruana’s game with Grischuk from the last round of the Candidates tournament in Berlin, where he played 5…Nd2, rather than his later game with Vitiugov from Grenke where he introduced the stunning 5…Qd7. I assume this was done because the former move is easier to play conceptually.

In the Main Line the author again follows Caruana with 6…Bd6, a move he single-handedly revived. Theory is well-established there and Black doesn’t have problems.

In the currently most popular line with 5 Nc3 the author proposes a very interesting improvement over Caruana’s play in his game with Carlsen from this year’s Sinquefield Cup where Carlsen introduced the rarely played 8 Bc4.

Theoretically speaking the Petroff is one of the most solid openings and in spite of its reputation it is not boring at all. The authors shows many exciting and aggressive lines for Black which can make for a very entertaining time spent behind the Black pieces. The Petroff is also a highly theoretical opening, so as long as all is well with the student’s memory, this opening can serve a player for a lifetime.

The full course is available on Chessable and you can also check out the free promo just in case you need to see what’s in store first.

You probably know by now that I created a repertoire for Black based on the QGD for the chess-learning site Chessable. The links to the repertoire can be found on the right under My Chessable Books.

The video format is becoming increasingly popular. In spite of my reservations about it, I also joined the hype and decided to upgrade my course with a corresponding video course. The first part of it, on the QGD, has already been published and it is receiving excellent reviews. There is also link to it on the right, just below the first banner.

Recording video is a tough process. I already have some experience with it and I can honestly say that I now understand the film stars when they say how difficult filming is. Not that I feel like a film star, but I do not have re-takes of my recordings, which means that when you watch a clip bear in mind that it was recorded in one take – me sitting there and talking for hours.

Yesterday Chessable released the second part of the full repertoire where I discuss the Reti, the KIA, the Nimzo-Larsen 1 b3, the Bird’s Opening and the other various first moves.

Some time passed since the publication of the repertoire, so for this course I wanted to provide updates of several important variations. These are all included in both the video and the files. I think my suggested shortcuts and improvements will make the student’s task much easier when learning the intricacies of the Reti Opening.

From what students tell me, the video format is very good for internalising the material. This is probably due to the fact that the student both watches the chess board and listens to the audio explanations, thus being exposed to the same material twice and at the same time. I hope I managed to continue in the same vein as with the first part on the QGD and this video course with the updates makes your repertoire even better and of higher quality.

I invite you to take a look at my latest video course here.

A Grandmaster Guide: The Reti, King’s Indian Attack and others, based on the QGD