Monthly Archives: Feb 2019

Chess as Spectator Sport

If chess players are taking half an hour to make some moves, how can you honestly enjoy watching it live?

This question is the core problem with chess becoming a spectator sport. Of course, I’m talking here about classical chess, not rapid or blitz, which are more easily “sold”.

The answer to the question is: you don’t. Unless you’re a strong chess player yourself and have the time to immerse yourself in the game in progress. The key word here is the conjunction and. Because in order to be appreciated chess must be understood and that understanding requires the time to put in the effort.

The main issue that prevents the “casual player” to enjoy chess is lack of chess understanding. This is a problem because the true excitement in chess (unless it’s a flashy sacrifice) lies behind the moves that are played. The moves played are just the tip of the iceberg, therefore spectators only see a movement of a hand. That is hardly an action-packed sequence.

Another hugely interesting aspect of a chess game is the whole process the players go through before sitting at the board – the preparation for the game. There are so many intricacies in the preparation that it’s a whole new (and well-hidden!) world. But only the chess player and his/her team would know of them, so the rest of us can only make educated guesses. For me personally, this aspect of trying to get into the heads of the players and to understand their opening choices is one that gives me huge pleasure. I will not talk about this aspect now, as you could have seen some of it in my comments to the games, especially the last World Championship match.

In this post I would like to illustrate the common “boredom” people whine about. In order to do this I’d ask you first to play over the following moves as if watching it live. Or even after the game finished, but without too much of a thought.

So what did you see? Just some senseless to-ing and fro-ing and then somehow White made some progress. Honestly, without pausing to understand the moves even I would have no idea what happened and how White achieved something. In short: no sacrifices, no flashy moves, boring stuff.

Now I would like to offer a new perspective of the fragment above.

This is quite different, isn’t it? It shows all the action behind the moves, the ideas, often the psychological moments. But in order to unearth all this you really need to understand chess at a relatively high level and to want to spend the time to understand the actual moves.

This means that the casual player’s only chance is to have high-level commentators doing this work for him/her. Not all commentators are created equal and they really need to have a feel how to present the iceberg undeneath the tip. Only then chess has a distant chance of becoming a spectator sport, though even then only for a selected audience.

Going back to the question at the beginning. What to do for half an hour when a player is thinking? In such situations it is up to the commentators to try to delve into the position deeply. After all, if a strong player spends so much time then there must be something in the position that is worth that time! The commentators should understand what that is and then explain it to the audience.

Chess is not a visual sport, the pleasure from watching chess comes from the joy of understanding ideas. It is an intellectual pleasure and as such it depends less on the visual and more on the hidden.

Botvinnik liked to say that chess is a combination of sport, art and science. While it is impossible to compete to the visual attraction of football or basketball, the watching of chess should develop in the direction of explanation of the hidden. That is where the art and science are concealed.



I am not sure how I felt the moment I read that Vladimir Kramnik was retiring. But I am sure that the next day I was sad.

If I could condense into one single word what I feel and think about the man that word would be respect. He earned it when he beat The Unbeatable in 2000 without losing a game. Nobody else could do that, it had to be him. Smyslov’s theory that World Champions are born immediately came to mind and it definitely applies to Kramnik.

Whenever I would check games from a tournament I would always check Kramnik’s games first. Because of the openings. If you want to see the state of theory, not the present, but also the future, you should look at Kramnik. What he does, everybody else does next.

Two things – beating Kasparov and enriching theory. That’s Kramnik for me in a nutshell.

I have followed Kramnik from the very beginning. Not surprising if you take into consideration that he is only half a year older than me. I remember the orange cover of the Russian 64 magazine with the report from the junior match Yugoslavia-USSR in 1991. Kramnik played in that one. The next year he scored 8.5/9 at the Manila Olympiad, won gold medal, both individual and team, and became a star.

In 2015 the European Club Cup was held in Skopje. A very good friend of mine managed to arrange an interview with Kramnik. But he couldn’t do it while in Skopje and told us to contact him in a few days when he would be home. Our thoughts – no chance he’s taking that call.

But he did! He didn’t know us, yet he spent several hours (!!) talking to us on all possible subjects. His kids were running in the background, but Big Vlad with big headphones on his head was having a video call with some guys he saw for the first (or second, in the case of my friend who arranged the interview) time in his life. RESPECT!

One of the things he didn’t know, and something we informed him about during the interview, was the existence of Kramnik humour. He loved it. In case you haven’t heard of it, here’s a glimpse:

  • When Kramnik was invited to the Melody Amber blindfold tournament for the first time he couldn’t understand what the difference was.
  • In 1991 Kramnik was surprised to learn that the Berlin wall has fallen and promised he will fix it soon.
  • Kramnik was named the best painter of all times since no one can match his drawing technique.
  • Russia is working on a new supercomputer with an exceptional hard drive since no other machine can store Kramnik’s analyses.
  • Houdini managed to beat Rybka after studying Kramnik’s games.
  • Magnus Carlsen is so popular in Norway he even got an invitation to the TV show “Who Wants to be Vladimir Kramnik”.
  • Even God is afraid of playing Kramnik. The games always end in a draw, but Kramnik still knows how to put pressure on his opponent.
  • While Kramnik’s classmates were busy proving the Pythagorean theorem, little Vova proved that chess is a draw.

I’ve often been critical of Kramnik’s play in the last period, especially at the Berlin Candidates and since, but now it all has a different meaning.

Kramnik said he came to this decision a few months ago. So Wijk must have felt like a last round on the merry-go-round. Like a kid, he wanted it to last as long as possible. He knew that when the music stops he will come down never to go back again. He wanted to make it memorable, he wanted to squeeze the last single drop of joy out of it. Because it was the last one.

It is a pity to finish a stellar career with a last place in a tournament, but that doesn’t matter anymore. Vladimir Kramnik did it his way, from start to finish.

Kasparov said that only the player knows when it’s time to go. And Vladimir Kramnik always knew what he was doing.